Comic giants, Stan Lee, Joe Kubert and Neal Addams have turned their attention to getting a woman’s paintings back from the Auschwitz museum.
As all-star comic-book team-ups go, this one beats the first meeting of Superman and Spider-Man. Three of the elder statesmen of comic books — Neal Adams, Joe Kubert and Stan Lee — have joined forces to combat what they see as a real-world injustice.
The men are lending their talents to tell the tale of Dina Gottliebova Babbitt, who survived two years at the Auschwitz concentration camp by painting watercolor portraits for the infamous Nazi Dr. Josef Mengele. Some of the artwork also survived, but it is in the possession of the Auschwitz-Birkenau Memorial and Museum in Poland. Now 85 and living in California, Mrs. Babbitt wants the artwork back, but the museum has steadfastly refused to return it.
This is what they’ve done:
Now Mrs. Babbitt’s story has been captured in a six-page comic-book story illustrated by Mr. Adams, who helped take Batman back to his dark roots after the ’60s television show made him seem campy; inked partly by Mr. Kubert, whose comics career stretches back to the 1940s and who has drawn everyone from Hawkman to Sergeant Rock; and featuring an introduction by Mr. Lee, a co-creator of the Fantastic Four, the X-Men and many other Marvel heroes.
The text was written by Rafael Medoff, director of the David S. Wyman Institute for Holocaust Studies, which has championed Mrs. Babbitt’s cause. Mr. Medoff and Mr. Adams have offered the story to DC Comics and Marvel Entertainment in the hopes of getting it published, but no deal is yet in place.
I can’t say that I’m totally unsympathetic to the museum’s point of view:
Auschwitz museum officials, in a statement issued in 2001, indicated that they had bought six of Mrs. Babbitt’s watercolors in 1963 from an Auschwitz survivor and acquired a seventh in 1977. In 1973 the museum asked her to verify her work but did not offer to return the items. The museum has argued that the artwork is important evidence of the Nazi genocide and part of the cultural heritage of the world. (The museum did not respond to telephone calls and an e-mail message requesting comment.)
However Mrs. Babbitt did paint the pictures in question. And, more remarkably, her artistry saved her life and the life of her mother.
Surely the Auschwitz museum could work out a deal to return the artwork to Mrs. Babbitt for some time and then seek to get on loan after a specified period of time. Perhaps the museum could even display replicas and allow Mrs. Babbitt to have control of the art that she created under inhuman conditions.
The Times has made Mrs. Babbitt’s story available. (pdf)
Crossposted on Soccer Dad.
